Changes in Macbeths Character throughout the Play Essay -- Drama

How I would advise the actor to portray the Dramatic changes in Macbeth’s Character throughout the play. Macbeth’s character throughout the play would be very complicated for any actor to portray, so there would be a large amount of hard work needed. During the play Macbeth portrays a large variety of different feelings e.g. happiness, sadness, anger, frustration etc, so I would have to thoroughly advise my actor on each scene of the play. Also, I would have to teach him on how to close the finishing speeches of Macbeth’s lines, these are very important because they carry a very big amount of significance and impact. In every single type of play, one of the most significant parts is the first entrance of the main actor. This is eminently important because, when the audience first see how the main actor walks, talks and the type of attire he/she is wearing, they can withdraw a lot of information about them e.g. whether they are honourable, devious, heinous etc. In the first entrance of Macbeth (Act 1 Scene 3), he opens with the line â€Å"So foul and fair a day I have not seen†. I imagine that this line would be said with quite a deep voice. From reading this line I would advise my actor to walk straight, with his head held high as if he was a very dominant and opulent man. Also a little later in the same scene he gets very obsessed with the witch’s predictions and is zealous to hear more, plus he gets a little bewildered when the witches say that he may become the Thane of Cawdor. For my actor to portray this part of the scene I would advise him to elevate the tone of his voice, to show his eagerness, to learn more about the predictions and also, I would tell him to show a very puzzled face to show his bewilderment over one of the predictions. In Act 1 Scene 4 when Macbeth shows his gratitude to King Duncan for the murder of the Thane of Cawdor by saying â€Å"The service and loyalty I owe, in doing it, pays itself† he seems to be very imperturbable. For this part of Scene 4 I would advise my actor to have a very calm expression but to still show a little gratitude for the honour that has been shown to Macbeth by King Duncan. Later in the play when Lady Macbeth appears, you get to know a little bit about Lady Macbeth and Macbeth’s relationship. Firstly when Macbeth and Lady Macbeth meet in the play (Act 1 Scene 5), they seem ... ...ck, and midnight hags! What is’t you do?†. Eventually, the witches bring in three apparitions. The first apparition was an ‘armed head’, he was trying to warn Macbeth of Macduff â€Å"Macbeth, Macbeth, Macbeth: beware Macduff, Beware the Thane of Fife. Dismiss me. Enough†. This apparition was actually true, because at the end of the play, Macduff decapitates Macbeth. The second apparition was a ‘bloody child’, he said â€Å"Be bloody, bold and resolute; laugh to scorn. The power of man, for none of woman born shall harm Macbeth†. The third apparition was a ‘Crowned child, with a tree in his hand’, he told Macbeth â€Å"Macbeth will never vanquished†. The last two apparitions were actually lying to Macbeth, so he could feel in power. To act these parts, when Macbeth hears the first apparition I would advise my actor to have a very smug look on his ace trying to indicate that no one can murder him because he has so much power and loyalty. When he hears the last two apparitions, I would advise him to become very egotistical because of the compliments they make to him. But, at the same time I would advise my actor to be quite shocked, because he is being told his future, from ghosts.